Do I have to credit the artist?

No. CC0 does not require credit. The credit line is there if you want to give one, and every file you export carries it in its tags.

Can I use these in a commercial project?

Yes. CC0 places no restriction on commercial use: monetised videos, client work, paid games and sponsored podcasts are all fine. CC0 covers the maker's own rights; it cannot clear rights the maker never had, so we check each source's licence statement and show you what we found.

What formats can I download?

The original file, exactly as the source published it, or an export: WAV (16 or 24 bit), MP3 at 320 kbps, OGG, or FLAC when the source is lossless. Exports can be trimmed, looped and levelled to a loudness target.

Will I get a Content ID claim?

You might. Content ID matches audio, not licences, so a claim can appear on a CC0 track. You can dispute it. The track's source page is your evidence, and a Pro provenance record keeps a copy of what we checked.

Music and sound effects you can use without asking.

2,466 CC0 tracks from 4 sources. Search, listen, then export a clip or a loop at the loudness your platform expects.

Try calm synth 8-bit loop upbeat drums footsteps

Eight to start with

Real tracks from the catalogue. Press play for a 30 second preview.

129bpm 1:19
86bpm 5:26
86bpm 3:04
129bpm 4:00
144bpm 1:10
123bpm 5:23
1.2 s
0.2 s

Browse the whole catalogue

Three ways to use it

Video

Find a bed for a title sequence or a montage, trim it to the cut, and export at -14 LUFS, the level most video platforms normalise to.

118bpm 4:22

Export: a clip with fades, -14 LUFS, WAV or MP3 at 48 kHz.

Podcast

Pick an intro or a stinger, level it to -16 LUFS so it sits with your voice, and keep the credit line in the file's own tags.

123bpm 2:49

Export: a clip, -16 LUFS, MP3 or WAV at 44.1 kHz.

Games

Loops snap to whole bars, so the seam lands on the beat. Export at -18 LUFS to leave headroom for effects and voice.

112bpm 1:30

Export: a loop snapped to bars, -18 LUFS, OGG or WAV.

What CC0 means

CC0 is a public domain dedication: the maker has given up their copyright as far as the law allows, so you can use the sound in any project, paid or not, without asking permission or giving credit. We credit every source anyway, and each track shows where it came from and how its licence was checked.

See every source and the basis for its licence

Pro

Coming soon

Every track stays free. Pro adds the parts that only make sense with an account.

Saves that follow you: Saved tracks and collections sync across your devices.
API and MCP access: A JSON API and an MCP server, so scripts and assistants can search the catalogue for you.
Provenance records: A record for every download: what you took, from where, under which licence, and when it was checked.

$6 a month

$49 a year

The audio is never sold. Pro is a software subscription.

Questions

Do I have to credit the artist?

No. CC0 does not require credit. The credit line is there if you want to give one, and every file you export carries it in its tags.
Can I use these in a commercial project?

Yes. CC0 places no restriction on commercial use: monetised videos, client work, paid games and sponsored podcasts are all fine. CC0 covers the maker's own rights; it cannot clear rights the maker never had, so we check each source's licence statement and show you what we found.
What formats can I download?

The original file, exactly as the source published it, or an export: WAV (16 or 24 bit), MP3 at 320 kbps, OGG, or FLAC when the source is lossless. Exports can be trimmed, looped and levelled to a loudness target.
Will I get a Content ID claim?

You might. Content ID matches audio, not licences, so a claim can appear on a CC0 track. You can dispute it. The track's source page is your evidence, and a Pro provenance record keeps a copy of what we checked.